Final touch up in the studio before the shoot.
I am always in awe of what Anne manages with a few brushstrokes (I’ll probably get a call from her about this little word “few” in here…) Anyway, here are some “rough” style frames she prepared as guidance for compositing and matte painting from the landscape set we recently shot.
“A lonely bus travels on an inter-city highway under a crescent moon.” How much work can such an innocent sounding sentence from the script create, you might ask. Well, here is the answer: a round-up of the 2.5 weeks of shoot on the ‘landscape’ set. (And this is excluding the set and prop building…which we
… here is a test picture fresh from the set, which should be added close to the animation tests below, as green isn´t Kara´s favourite background colour. Warmer tones suit her complexion better.
It’s about 1 am in Hamburg, Germany and I stand in the studio as I write this post. It’s been non-stop for our small but fine team for the last few weeks and there is no end in sight just yet…so I have to squeeze in a quick update between lighting and camera and s3d
It’s been a hell of a couple of weeks, but finally the Milo is standing in the studio – big thank you to Knut Lange -, our first set Marionette Theater has been set up and our wonderful animator Juan Soto is creating some magic. The first shot of the teaser is nearly done and