A pretty solid wooden construction was built for the houses to ensure that the set would not shift or shake – especially since we knew that during the shoot parts – roofs or single houses – would have to be removed mid-shot and reattached later several times. Preferably without causing major set shifts.
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- Pablo Pinkus working on the wooden construction
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- Basic shapes
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- Details added
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- The building on the left is a reminiscence of Emek Sinemasi
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- Wooden part of the street is the only part the animator is meant to step on
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- Nina Milarch working on a roof
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- Paved street and plastered walls
