A pretty solid wooden construction was built for the houses to ensure that the set would not shift or shake – especially since we knew that during the shoot parts – roofs or single houses – would have to be removed mid-shot and reattached later several times. Preferably without causing major set shifts.
- Pablo Pinkus working on the wooden construction
- Basic shapes
- Details added
- The building on the left is a reminiscence of Emek Sinemasi
- Wooden part of the street is the only part the animator is meant to step on
- Nina Milarch working on a roof
- Paved street and plastered walls